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DC jacks up the house
If you've seen AC/DC before,[link widoczny dla zalogowanych], then you really didn't miss anything new at Sunday night's sold-out, nearly two-hour concert at Xcel Energy Center. Obviously, you'll still missed one of the greatest, baddest arena-rock implies that heaven (or hell) ever wrought, but that's old news.
That much we can agree with. Let's wait and watch if there's anything else:
Riemenschneider: What an opening! It started having a video of the train thundering on the tracks by having an animated Angus Young at the wheel, two scantily clad babes trying to derail it and much more phallic symbols than the usual high school health class. Then,[link widoczny dla zalogowanych], towards the opening riffs of "Rock 'n' Roll Train," a genuine (fake) train crashed over the long row of Marshall stacks.
Bream: Chris,[link widoczny dla zalogowanych], you may want to get out more. Cher and Bette Midler have pretty spectacular, over-the-top openings,[link widoczny dla zalogowanych], too. So many of the country stars, from Tim McGraw to Rascal Flatts. But none of them of these attract the inner adolescent. That's what AC/DC does. Their opening was cool,[link widoczny dla zalogowanych], however for me the visual highlight was the live video shot from beneath the stage via a clear plastic panel of Angus Young rockin' out during 'Thunderstruck." Now that was a new wrinkle inside a band that looks very wrinkled.
CR: Better a view from beneath the stage than above, where we would've only seen Angus' growing bald spot. Thank God, he had official AC/DC boxers on under his shorts, sparing us the full moon in "The Jack."
JB: I would have preferred to possess seen more Angus about the runway. That big, long catwalk extending from the stage was there for him to consider a duck-walk for many extensive solos. He made it happen for "Let There Be Rock" and "The Jack," that blues thud that featured a number of his most expressive guitar work. But otherwise, the runway belonged to Brian Johnson,[link widoczny dla zalogowanych], who could be the frontman, but he's not the star from the band.
CR: Angus,[link widoczny dla zalogowanych], 53, definitely did not come off as wild and woolly because he has in the past, but he showed his agility where it counted most: on his Gibson SG guitar. From the solos in "Hell Ain't a Bad Place to Be" and "Dirty Deeds" at the start of the show to the fiery preencore finale of "Whole Lotta Rosie" and "Let There Be Rock," he sounded as fierce because he did 3 decades ago.
Johnson, 61, was in surprisingly decent voice, too,[link widoczny dla zalogowanych], which is rare for him nowadays. His submit the brand new one "Big Jack" and also the old staple "Shoot to Thrill" were ear-piercing. Inside a good way. But it is merely a month in to the tour. I doubt his shrieking voice is going to be as solid when the band returns Jan. 19 towards the X.
JB: "Shoot to Thrill" was a highlight for me personally. And for the crowd of 15,419. It was truly a blue-collar crowd for a blue-collar band, though some of the prices wouldn't fit into an Obama budget plan. All the tickets were $91.50,[link widoczny dla zalogowanych], but the real deal was the brand new CD, "Black Ice," only 13 bucks at the merch stands. Wal-Mart shoppers pay $11.88 plus tax for your exclusive. Heck, the blinking devils horns were $15 in the X. Unsurprisingly, at intermission, the merch stands were as crowded as the ones in a Miley Cyrus concert
CR: Age everyone else couldn't have been more varied. There have been guys who probably saw them in 1974 alongside kids who weren't alive for their last tour eight years ago,[link widoczny dla zalogowanych], plus a lot of men within their 30s and 40s acting like they were 15. The best was the 5-year-old kid before me with giant headphones on (no doubt at mom's insistence). Seeing him pump his fist to "Back in Black" was worth the cost of admission alone.
JB: That little dude will most likely develop to marry your daughter. Man, there have been way more women in the concert than I expected, bobbing their heads along to the music. AC/DC has always been about macho good fun with a locker-room spontaneity, politically incorrect, sexist dudes who're lovably lowbrow. And they rock your socks off with a determinedly elemental blues-rock sound that is ageless and, I guess, now genderless.
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